ZAMBRA BIOS (below photo)
L to R top: Kathleen Loveless, Susan Krivin, Jennie Siegmund,
Therese Hall Johannesson, Nancy Niles, Janet Herman, Victoria Phillips Larson, Ann Louise Wagner.
Bottom: Connie Hernandez, Laura Reeve
Not pictured: Kathryn Veditz, Jennifer Taylor Daniels
Unknown: identities of surfers impulsively crashing the photo shoot!
Photo by Hank Niles.
Therese Hall Johannesson, the founder of Zambra, has sung professionally, as a
soloist and in ensemble, since her childhood. She got her start singing with her
three sisters while their mom played piano. Therese holds a master's degree
in social work but in recent years has returned to her roots as a music educator.
She produces Spanish language musicals, directs a bilingual family choir, and is
an Orff classroom specialist. Some of her most satisfying musical moments,
besides singing with Zambra, are singing in three-part harmony with her twin sons.
Janet Herman first sang in performance with the selective Los Angeles
All-City Children's Choir at the age of 10. She has a Ph.D. in Folklore &
Ethnomusicology from UCLA, where she researched Shape-Note singing and American
folksong, and sang bluegrass and Bulgarian village music. The vocalist and tenor
banjo/mandolin player in the Irish band
Dance Around Molly, she has studied Sean Nos
("old style" Irish Gaelic) singing at the Joe Mooney School in Ireland. She also
performs on and teaches fretted dulcimer. She is co-founder of the
Music of Bhutan Research Center.
Connie Hernandez, a charter member of the alto section, had never sung in
public before joining Zambra. Growing up listening to country-western music,
she did however play violin, performing on occasion with her little brother, who
played steel guitar.
Susan Krivin's love of singing runs in her family, going back many generations. She began
harmonizing with cousins as a child, while receiving formal musical training in various choral groups,
and on piano and guitar. As an adult, she has enjoyed singing with friends, mostly informally, but
found her musical home with Zambra in 1994. Susan's skills as a professional seamstress and designer
are sometimes applied to Zambra's stagewear.
Kathleen Loveless has been a part of Zambra since the conceptual phase.
She arranges much of Zambra's repertoire and often serves as our guitarist. Katie grew up in a home filled with music.
She remembers her parents teaching her to pick out French horn and Baritone horn
lines in orchestral band recordings and she practiced those harmonizing skills silently
to pass the time during many a math class. She studied music theory at Cabrillo College
where she sang in the Chorus and Chamber Singers. Since 2008 she has conducted Mary Mc Laughlin's Irish Gaelic Choir,
Nancy Niles has enjoyed participating in the magic of vocal harmony since
childhood. She attended voice classes with Michelle Rivard and Katherine Adkins at
Cabrillo College, performed three seasons with the Bay Shore Lyric Opera, and most
recently sang with the women's a cappella group, Windham Voices.
As the daughter of a professional actor/singer, Victoria Phillips Larson began
singing and performing in childhood. She sang solo and in mixed choruses throughout
her early education, eventually pursuing a degree in musical theater from UC Santa Cruz.
She participated in the Cabrillo Women's Choir for two years and has been singing with
Zambra for the last decade. Victoria strongly believes in the power of music to speak
to the soul at the deepest levels, and imagines herself singing to the very end.
Laura Reeve grew up in a house where folk music and three part harmonies in
many languages were a regular occurrence. She began training her voice as a teenager
and continued at UCSC, where she sang in the Concert Choir while getting her first of
two theater degrees. She learned bodhran drumming and traditional singing at Celtic
jam sessions, and found her Zambra family one night at a local pub. Family background
also led Laura to explore Sephardic music, which Zambra has since taken up enthusiastically.
Jennie Siegmund began her singing career in her bedroom. She shocked friends by quietly singing backup
vocals one day while someone was playing guitar and singing. From then on, she was fast
tracked into her high school's two choirs and its small elite singing group, and ultimately
majored in vocal music in college. She has performed in a local rock dance band and is also a
member of Mary Mc Laughlin's Irish Gaelic Choir, Cor Aingli
Ann Louise Wagner has been part of Zambra from its planning stages. She credits an
excellent high school choir director with inspiring her, and also her sisters, with whom she
harmonizes at every opportunity. She has studied several romance languages and is fascinated
by fado, qwaali, Balkan, and bluegrass vocal forms.